<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom">
    <title>DJ Misc</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/" />
    <link rel="self" type="application/atom+xml" href="http://www.djmisc.com/atom.xml" />
    <id>tag:www.djmisc.com,2007-11-07://1</id>
    <updated>2008-07-22T20:47:38Z</updated>
    <subtitle>Put the data you have uncovered to beneficial use.</subtitle>
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type Publishing Platform 4.01</generator>

<entry>
    <title>a tremendously important part of a well-designed layout</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/2008/07/post-87.html" />
    <id>tag:www.djmisc.com,2008://1.8984</id>

    <published>2008-07-22T17:40:14Z</published>
    <updated>2008-07-22T20:47:38Z</updated>

    <summary> —Renaldo C. Epworth, Fundamentals of Layout for Advertising, 1948....</summary>
    <author>
        <name>dj misc</name>
        <uri>http://www.djmisc.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.djmisc.com/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="1948Fontsx350wide.jpg" src="http://www.djmisc.com/images/1948Fontsx350wide.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="4229" width="500" /></span>
<div>—Renaldo C. Epworth, <i>Fundamentals of Layout for Advertising</i>, 1948.<br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>bluebottle tennis</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/2008/07/bluebottle-tennis.html" />
    <id>tag:www.djmisc.com,2008://1.8982</id>

    <published>2008-07-21T18:03:52Z</published>
    <updated>2008-07-21T20:52:30Z</updated>

    <summary>“When we got to our room, I sat down on Ruth’s bed, close to the window—the sun had warmed the blanket—and she sat on mine over by the back wall. There was a bluebottle buzzing around, and for a minute...</summary>
    <author>
        <name>dj misc</name>
        <uri>http://www.djmisc.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.djmisc.com/">
        <![CDATA[“When we got to our room, I sat down on Ruth’s bed, close to the
window—the sun had warmed the blanket—and she sat on mine over by the
back wall. There was a bluebottle buzzing around, and for a minute we
had a laugh playing ‘bluebottle tennis,’ throwing our hands about to
make the demented creature go from one to the other of us. Then it
found its way out of the window, and Ruth said:<br />
&nbsp;&nbsp;&nbsp; ‘I want me and Tommy to get back together again. Kathy, will you help?’ Then she asked: ‘What’s the matter?’”<br />
<br />
—Kazuo Ishiguro, <i>Never Let Me Go</i>, 2005.<br />]]>
        
    </content>
</entry>

<entry>
    <title>The snow was gray</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/2008/07/the-snow-was-gray.html" />
    <id>tag:www.djmisc.com,2008://1.8981</id>

    <published>2008-07-21T17:12:02Z</published>
    <updated>2008-07-21T17:13:09Z</updated>

    <summary>“The snow was gray against the sky, soft on his lashes. It fell without a sound.” —Cormac McCarthy, Child of God, 1973....</summary>
    <author>
        <name>dj misc</name>
        <uri>http://www.djmisc.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.djmisc.com/">
        <![CDATA[“The snow was gray against the sky, soft on his lashes. It fell without a sound.”<br />
<br />

—Cormac McCarthy, <i>Child of God</i>, 1973.]]>
        
    </content>
</entry>

<entry>
    <title>ink trees</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/2008/07/ink-trees.html" />
    <id>tag:www.djmisc.com,2008://1.8980</id>

    <published>2008-07-21T17:04:33Z</published>
    <updated>2008-07-21T17:11:37Z</updated>

    <summary>“Alone in the empty shell of a house the squatter watched through the moteblown glass a rimshard of bonecolored moon come cradling up over the black balsams on the ridge, ink trees a facile hand had sketched against the paler...</summary>
    <author>
        <name>dj misc</name>
        <uri>http://www.djmisc.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.djmisc.com/">
        <![CDATA[“Alone in the empty shell of a house the squatter watched through the
moteblown glass a rimshard of bonecolored moon come cradling up over
the black balsams on the ridge, ink trees a facile hand had sketched
against the paler dark of winter heavens.”<br />
<br />
—Cormac McCarthy, <i>Child of God</i>, 1973.]]>
        
    </content>
</entry>

<entry>
    <title>a different colored pair of drawers for every day of the week</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/2008/07/a-different-colored-pair-of-dr.html" />
    <id>tag:www.djmisc.com,2008://1.8979</id>

    <published>2008-07-21T17:03:01Z</published>
    <updated>2008-07-21T17:03:41Z</updated>

    <summary>“He had eyes for a long blonde flatshanked daughter that used to sit with her legs propped so that you could see her drawers, She laughed all the time. He’d never seen her in a pair of shoes but she...</summary>
    <author>
        <name>dj misc</name>
        <uri>http://www.djmisc.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.djmisc.com/">
        <![CDATA[“He had eyes for a long blonde flatshanked daughter that used to sit
with her legs propped so that you could see her drawers, She laughed
all the time. He’d never seen her in a pair of shoes but she had a
different colored pair of drawers for every day of the week and black
ones on Saturday.”<br />
<br />
—Cormac McCarthy, <i>Child of God</i>, 1973.<br />
]]>
        
    </content>
</entry>

<entry>
    <title>night of the large few stars!</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/2008/07/night-of-the-large-few-stars.html" />
    <id>tag:www.djmisc.com,2008://1.8977</id>

    <published>2008-07-18T22:45:04Z</published>
    <updated>2008-07-18T23:02:47Z</updated>

    <summary>“Press close bare-bosomed night—press close magnetic nourishing night! Night of south winds—night of the large few stars! Still nodding night—mad naked summer night.” —Walt Whitman, Leaves of Grass, 1892 edition....</summary>
    <author>
        <name>dj misc</name>
        <uri>http://www.djmisc.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.djmisc.com/">
        <![CDATA[“Press close bare-bosomed night—press close magnetic nourishing night!<br />
Night of south winds—night of the large few stars!<br />
Still nodding night—mad naked summer night.”<br />
<br />
—Walt Whitman, <i>Leaves of Grass</i>, 1892 edition.<br />]]>
        
    </content>
</entry>

<entry>
    <title>one pale star</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/2008/07/one-pale-star.html" />
    <id>tag:www.djmisc.com,2008://1.8976</id>

    <published>2008-07-18T22:12:06Z</published>
    <updated>2008-07-18T22:19:51Z</updated>

    <summary>“Across the narrow, quivering line of water, the delicate budding branches of young trees were limned black against the gold, orange,—what word is there to tell the color of that morning sky! And steeped in the splendor of it hung...</summary>
    <author>
        <name>dj misc</name>
        <uri>http://www.djmisc.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.djmisc.com/">
        <![CDATA[“Across the narrow, quivering line of water, the delicate budding
branches of young trees were limned black against the gold,
orange,—what word is there to tell the color of that morning sky! And
steeped in the splendor of it hung one pale star; there was not another
in the whole heaven. . . .<br />
&nbsp;&nbsp;&nbsp; She stayed there motionless upon the brink of the
river till the star melted into the brightness of the day and became
part of it.”<br />
<br />
—Kate Chopin, ‘Tante Cat’rinette’, from <i>A Night in Acadie</i>, 1897.]]>
        
    </content>
</entry>

<entry>
    <title>a purple mist</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/2008/07/a-purple-mist.html" />
    <id>tag:www.djmisc.com,2008://1.8975</id>

    <published>2008-07-18T22:07:06Z</published>
    <updated>2008-07-21T16:46:35Z</updated>

    <summary>“The excitement was all over, and they were gone. How still it was when they were gone! Mamzelle Aurélie stood upon the gallery, looking and listening. She could no longer see the cart; the red sunset and the blue-gray twilight...</summary>
    <author>
        <name>dj misc</name>
        <uri>http://www.djmisc.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.djmisc.com/">
        <![CDATA[“The excitement was all over, and they were gone. How still it was when
they were gone! Mamzelle Aurélie stood upon the gallery, looking and
listening. She could no longer see the cart; the red sunset and the
blue-gray twilight had together flung a purple mist across the fileds
and road that hid it from her view. She could no longer hear the
wheezing and creaking of its wheels. But she could still faintly hear
the shrill, glad voices of the children.”<br />
<br />
—Kate Chopin, ‘Regret’, from <i>A Night in Acadie</i>, 1897.]]>
        
    </content>
</entry>

<entry>
    <title>green tea</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/2008/07/green-tea-1.html" />
    <id>tag:www.djmisc.com,2008://1.8978</id>

    <published>2008-07-18T16:47:28Z</published>
    <updated>2008-07-21T16:51:19Z</updated>

    <summary>“She would not permit green tea to be introduced into her house, and those who could not or would not drink coffee might drink tisane of fleur de Laurier for all she cared.” —Kate Chopin, ‘A Matter of Prejudice’, from...</summary>
    <author>
        <name>dj misc</name>
        <uri>http://www.djmisc.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.djmisc.com/">
        <![CDATA[“She would not permit green tea to be introduced into her house, and
those who could not or would not drink coffee might drink tisane of <i>fleur de Laurier</i> for all she cared.”<br />
<br />
—Kate Chopin, ‘A Matter of Prejudice’, from <i>A Night in Acadie</i>, 1897.]]>
        
    </content>
</entry>

<entry>
    <title>Vernacular Baton Rouge: AVOs FOOD MART</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/2008/07/vernacular-baton-rouge-avos-fo.html" />
    <id>tag:www.djmisc.com,2008://1.8974</id>

    <published>2008-07-16T23:29:05Z</published>
    <updated>2008-07-18T22:04:00Z</updated>

    <summary> 2964 Government Street. I like that F....</summary>
    <author>
        <name>dj misc</name>
        <uri>http://www.djmisc.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.djmisc.com/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="AVOsFOODMARTx500.jpg" src="http://www.djmisc.com/images/AVOsFOODMARTx500.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="338" width="500" /></span>
<div>2964 Government Street. I like that F.<br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>the color of café-au-lait</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/2008/07/the-color-of-cafeaulait.html" />
    <id>tag:www.djmisc.com,2008://1.8973</id>

    <published>2008-07-15T23:27:10Z</published>
    <updated>2008-07-15T23:29:57Z</updated>

    <summary>“‘La belle Zoraide had eyes that were so dusky, so beautiful, that any man who gazed too long into their depths was sure to lose his head, and even his heart sometimes. Her soft, smooth skin was the color of...</summary>
    <author>
        <name>dj misc</name>
        <uri>http://www.djmisc.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.djmisc.com/">
        <![CDATA[“‘La belle Zoraide had eyes that were so dusky, so beautiful, that any
man who gazed too long into their depths was sure to lose his head, and
even his heart sometimes. Her soft, smooth skin was the color of <i>café-au-lait</i>.’”<br />
<br />

—Kate Chopin, ‘La Belle Zoraide’, from <i>Bayou Folk</i>, 1894.]]>
        
    </content>
</entry>

<entry>
    <title>‘Here’s money!’</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/2008/07/-kate-chopin-in-and.html" />
    <id>tag:www.djmisc.com,2008://1.8972</id>

    <published>2008-07-14T22:33:43Z</published>
    <updated>2008-07-15T23:24:06Z</updated>

    <summary><![CDATA[“He went and stood at the foot of the table, opposite to where Madame Delmandé sat, and let fall the box upon it. &nbsp;&nbsp;&nbsp; The thing in falling shattered, and from its bursting sides gold came, clicking, spinning, gliding, some...]]></summary>
    <author>
        <name>dj misc</name>
        <uri>http://www.djmisc.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.djmisc.com/">
        <![CDATA[“He went and stood at the foot of the table, opposite to where Madame Delmandé sat, and let fall the box upon it.<br />
&nbsp;&nbsp;&nbsp; The thing in falling shattered, and from its
bursting sides gold came, clicking, spinning, gliding, some of it like
oil; rolling along the table and off it to the floor, but heaped up,
the bulk of it, before the tramp.<br />
&nbsp;&nbsp;&nbsp; ‘Here’s money!’ he called out, plunging his old hand in the thick of it.”<br />
<br />
—Kate Chopin, ‘A Wizard from Gettysburg’, from <i>Bayou Folk</i>, 1894.]]>
        
    </content>
</entry>

<entry>
    <title>white, bursting cotton, with the dew upon it</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/2008/07/white-bursting-cotton.html" />
    <id>tag:www.djmisc.com,2008://1.8971</id>

    <published>2008-07-14T22:27:09Z</published>
    <updated>2008-07-14T22:31:42Z</updated>

    <summary>“When she had made her way through the brush and scrub cottonwood-trees that lined the opposite bank, she found herself upon the border of a field where the white, bursting cotton, with the dew upon it, gleamed for acres and...</summary>
    <author>
        <name>dj misc</name>
        <uri>http://www.djmisc.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.djmisc.com/">
        <![CDATA[“When she had made her way through the brush and scrub cottonwood-trees
that lined the opposite bank, she found herself upon the border of a
field where the white, bursting cotton, with the dew upon it, gleamed
for acres and acres like frosted silver in the early dawn.”<br />
<br />
—Kate Chopin, ‘Beyond the Bayou’, from <i>Bayou Folk</i>, 1894.]]>
        
    </content>
</entry>

<entry>
    <title>the red rose</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/2008/07/post-85.html" />
    <id>tag:www.djmisc.com,2008://1.8970</id>

    <published>2008-07-14T22:01:55Z</published>
    <updated>2008-07-14T22:32:32Z</updated>

    <summary>“He held the rose by its long, hardy stem, and swept it lightly and caressingly across her forehead, along her cheek, and over her pretty mouth and chin, as a lover might have done with his lips. He noticed how...</summary>
    <author>
        <name>dj misc</name>
        <uri>http://www.djmisc.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.djmisc.com/">
        <![CDATA[“He held the rose by its long, hardy stem, and swept it lightly and
caressingly across her forehead, along her cheek, and over her pretty
mouth and chin, as a lover might have done with his lips. He noticed
how the red rose left a crimson stain behind it.”<br />
<br />
—Kate Chopin, ‘In and Out of Old Natchitoches’, from <i>Bayou Folk</i>, 1894.<br />]]>
        
    </content>
</entry>

<entry>
    <title>ultimate beauty</title>
    <link rel="alternate" type="text/html" href="http://www.djmisc.com/2008/07/the-ultimate-beauty.html" />
    <id>tag:www.djmisc.com,2008://1.8969</id>

    <published>2008-07-12T17:42:51Z</published>
    <updated>2008-07-12T19:13:08Z</updated>

    <summary>“You know how it is. A three-hundred dollar suit doesn’t knock your eye out. A Ming vase doesn’t shriek for attention. But the ultimate beauty, the perfection, is there; and you’ll always see it if you look long enough, see...</summary>
    <author>
        <name>dj misc</name>
        <uri>http://www.djmisc.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.djmisc.com/">
        <![CDATA[“You know how it is. A three-hundred dollar suit doesn’t knock your eye
out. A Ming vase doesn’t shriek for attention. But the ultimate beauty,
the perfection, is there; and you’ll always see it if you look long
enough, see it and recognize it, regardless of whether you’ve ever seen
it before.<br />
&nbsp;&nbsp;&nbsp; Even if you’ve caught so much crap in your eyes that
you’re half-blind in one and can’t see out of the other . . .”<br />
<br />
—Jim Thompson, <i>WIld Town</i>, 1957. The ellipses are his.<br />]]>
        
    </content>
</entry>

</feed>
