massive tassels of crab mauve

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“Artistic from birth, Julie de Poopinac inaugurated almost a revolution in colour schemes: her salle des populaces (room of the people), where she received supplicants for alms and various other favours, was upholstered in Godstone blue, with hangings of griffin pink; her salle a manger (dining-room) was a tasteful melange of elephant green, cerise, and burnt umber. Her salle de bains (bath-room) deserves special mention, owing to its bizarre mixture of mustard colour and veitch purple—while her chambre a coucher (bedroom) was a truly fitting setting for so brilliant a gem. The walls were lined with costly Bridgeport tapestries in brown and black, picked out here and there with beads and tufts of gloriously coloured wool. The bed curtains were of a soft Norwegian yellow, with massive tassels of crab mauve, while the carpet and upholstery were almost entirely Spanish crimson with headrests of Liverpool plush! It was here, of course, that she wrote most of her poems.”

—Noel Coward, A Withered Nosegay, 1922.

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